Asta: 496 / Evening Sale del 06 dicembre 2019 a Monaco di Baviera Lot 119001297

 
119001297
Katharina Grosse
Ohne Titel, 2015.
Acrilico su tela
Stima: € 100,000 / $ 110,000
+
Descrizione oggetto
Ohne Titel. 2015.
Acrylic on canvas.
Verso signed, dated, inscribed and with the work number "2015/ 1004L". 201 x 135 cm (79.1 x 53.1 in).

- The artist occupies a pioneering position in 21st Century Art.

PROVENANCE: Galeria Helga de Alvear, Madrid (verso with label)
Private collection Spain.

Essay
Katharina Grosse uncouples painting from material reality in every way. Void of composition, her painting is solely determined by colors. She even goes one step further and overcomes the color application as part of the painter’s craft. In 1998 the spray gun became Katharina Grosse’s preferred work tool, as it enabled her to pursue a path to entirely new means of expression. ”Spraying allows for an access determined by immediate vision, while painting with a brush is strongly determined by physical movement. The motion of the eyes and the motion of the spray gun are much closer connected.“ (Katharina Grosse, quote from ex. cat. Inside the Speaker, Foundation Museum Kunstpalast, Düsseldorf, 2015, p. 87) Colors flow, splash, waft – forming a lively and pulsating entity.
The individually applied superimposing layers of paint create a sort of pattern. The colors, ranging from canary yellow and azure to a bilious green and an orange-red, are sprayed on layer by layer, while the added metallic colors make for an an iridescent effect. Stencils protect previously applied colors from the following spray process so that clearly defined color fields come into existence. These fields, in return, form collage-like blotches of colors with crusty upended margins and a haptic effect. The dissociation of painting from the classic image carriers, as well as the exploration of space are characteristic of many her works. What is so special about the work offered here lies in the intentional integration of the white background of the canvas which underlines the color formation’s stencil pattern – it curbs the color field, enframes it and creates the space necessary to unfold its full effect. Color structures sprawl across the canvas, breaking its bounds and exploring the image space. Apart from space the artist also employs time as a pictorial category. Time is stretched and slowed down through the extensive production time caused by the elaborate stencil system which requires longer drying phases. This way Katharina Grosse makes the concept of time as part of the creation tangible. Upon observing her pictures the colors spring into action and open up infinite spaces of time in which we can lose ourselves in order to discover ever new details. We explore the image space by letting our gaze wander and by allowing Katharina Grosse’s oscillating color worlds to put us under their spell. [SM]
 


Commissione, tassa e diritti di seguito
Questo oggette viene offerto con regime fiscale normale o con imposizione sul margine del profitto.

Calcolo imposizione particolare sul margine del profitto:
Prezzo di aggiudicazione fino a 500.000 €: supplemento del 32%
Prezzo di aggiudicazione superiore a 500.000 €: Parte del prezzo fino a 500.000 € supplemento del 32 %, parte del prezzo che supera i 500.000 € supplemento del 27%
Nel supplemento è compresa l'IVA che tuttavia non compare sulla fattura.

Calcolo regime fiscale normale:
Prezzo di aggiudicazione fino a 500.000 €: supplemento del 25%, maggiorato dell´IVA legale
Prezzo di aggiudicazione superiore a 500.000 €: Parte del prezzo fino a 500.000 € supplemento del 25 %, parte del prezzo che supera i 500.000 € supplemento del 20%, a talvolta maggiorato dell'IVA legale.

La preghiamo di avvisarci prima della fatturazione nel caso in cui desidera applicare il regime fiscale normale.

Calcolo diritti di seguito:
Per gli oggetti realizzati da un artista la cui morte risale a meno di 70 anni, viene fatturata una quota sui diritti di seguito pari all'1,5% più IVA legale.