Cornice
Raumbeispiel
126000853
Piero Dorazio
Vanitosa Pastorale, 1958.
Olio su tela
Stima: € 100,000 / $ 116,000
Le informationi sulla commissione, le tasse e il diritto di seguito saranno disponibili quattro settimane prima dell´asta.
126000853
Piero Dorazio
Vanitosa Pastorale, 1958.
Olio su tela
Stima: € 100,000 / $ 116,000
Le informationi sulla commissione, le tasse e il diritto di seguito saranno disponibili quattro settimane prima dell´asta.
Piero Dorazio
1927 - 2005
Vanitosa Pastorale. 1958.
Oil on canvas.
Signed and dated in the lower right. 146 x 114 cm (57.4 x 44.8 in).
• A pivotal point: In the late 1950s, Dorazio moved from highly sensual compositions of intersecting lines—which were still very much the focus of his early work—to his later, more austere, complex, and vibrant color structures.
• Color, light, and rhythmic structures are the central elements of his painting.
• Exhibited at the 30th Venice Biennale in 1960 and at the Galleria Nazionale d’Arte Moderna in Rome in the year of its creation.
• Part of a private collection in Berlin for over 40 years.
PROVENANCE: Private collection, Berlin (1985, Galerie Springer).
EXHIBITION: “Pittori tedeschi e italiani contemporanei,” Galleria Nazionale d’Arte Moderna, Rome, April/May 1958 (with remnants of a label on the stretcher).
XXX. Biennale Internazionale d’Arte di Venezia, June 18–October 16, 1960, cat. no. 69 (with a label on the stretcher).
Galerie Müller, Stuttgart, Jan. 19–Feb. 28, 1962, cat. no. 111 (with two labels on the stretcher).
Galerie Springer, Berlin (with a label on the stretcher).
Dorazio, Bavarian State Painting Collections, Munich, November 20, 1981–January 10, 1982; Wilhelm Hack Museum, Ludwigshafen, June 13, 1981–August 28, 1981 (with a label of the Wilhelm Hack Museum on the stretcher).
Piero Dorazio, Quadrat Bottrop, Moderne Galerie, Bottrop, June 13–August 22, 1982 (no catalog; with a label on the stretcher bearing the handwritten designation “A.K.”).
LITERATURE: Marisa Volpi Orlandini, Jacques Lassaigne u. Giorgio Crisafi, Dorazio, Milan 1977 / Stuttgart 1978, CR no. 298 (illustrated in black and white).
1927 - 2005
Vanitosa Pastorale. 1958.
Oil on canvas.
Signed and dated in the lower right. 146 x 114 cm (57.4 x 44.8 in).
• A pivotal point: In the late 1950s, Dorazio moved from highly sensual compositions of intersecting lines—which were still very much the focus of his early work—to his later, more austere, complex, and vibrant color structures.
• Color, light, and rhythmic structures are the central elements of his painting.
• Exhibited at the 30th Venice Biennale in 1960 and at the Galleria Nazionale d’Arte Moderna in Rome in the year of its creation.
• Part of a private collection in Berlin for over 40 years.
PROVENANCE: Private collection, Berlin (1985, Galerie Springer).
EXHIBITION: “Pittori tedeschi e italiani contemporanei,” Galleria Nazionale d’Arte Moderna, Rome, April/May 1958 (with remnants of a label on the stretcher).
XXX. Biennale Internazionale d’Arte di Venezia, June 18–October 16, 1960, cat. no. 69 (with a label on the stretcher).
Galerie Müller, Stuttgart, Jan. 19–Feb. 28, 1962, cat. no. 111 (with two labels on the stretcher).
Galerie Springer, Berlin (with a label on the stretcher).
Dorazio, Bavarian State Painting Collections, Munich, November 20, 1981–January 10, 1982; Wilhelm Hack Museum, Ludwigshafen, June 13, 1981–August 28, 1981 (with a label of the Wilhelm Hack Museum on the stretcher).
Piero Dorazio, Quadrat Bottrop, Moderne Galerie, Bottrop, June 13–August 22, 1982 (no catalog; with a label on the stretcher bearing the handwritten designation “A.K.”).
LITERATURE: Marisa Volpi Orlandini, Jacques Lassaigne u. Giorgio Crisafi, Dorazio, Milan 1977 / Stuttgart 1978, CR no. 298 (illustrated in black and white).