Asta: 401 / Post War/Contemporary Art del 08 dicembre 2012 a Monaco di Baviera Lot 294

 

294
Gerhard Richter
Ohne Titel, 1988.
Watercolor
Stima:
€ 25,000 / $ 27,000
Risultato:
€ 100,040 / $ 108,043

( commissione inclusa)
Ohne Titel. 1988.
Watercolor.
This work is registered in the online catalog of watercolors. Signed and dated upper center. On wove paper. 16,5 x 23,9 cm (6,4 x 9,4 in), the full sheet.

EXHIBITION: Anthony d'Offay Gallery, London.
Barbara Mathes Gallery, New York (with gallery label on rear of frame).

After his studies of painting in Dresden from 1951 to 1956 and the three years that followed as a master-class student at the Academy, Richter emigrated to the Federal Republic of Germany. A large cache of early work, long believed to have been lost, dates from that period. Only a few of these works have survived. From 1961 to 1963 he studied under Karl Otto Götz at the Duesseldorf Academy of Arts. It is there that he became friends with Sigmar Polke, Blinky Palermo and Konrad Lueg - who was later known as the art dealer Konrad Fischer - , with whom he performed the "Demonstration in favor of capitalist realism" as a German version of Pop Art in 1963. In 1962, influenced by Giacometti and Dubuffet, he started with representational paintings based on photographs. This was the result of a changed view on art, which, according to Richter, "has nothing to do with painting, composition or color". His first solo exhibitions took place in 1964 at the galleries of Heiner Friedrich in Munich and Alfred Schmela in Duesseldorf. In 1967 Richter became guest lecturer at the Academy of Fine Arts in Hamburg and in 1971 he was offered a chair at the Academy of Arts in Duesseldorf, which he held until 1996. Further visiting professorships from the College of Art in Halifax, Canada, in 1978 and the Städelschule in Frankfurt in 1988 followed. In his alpine and urban paintings of the end of the 1960s, the photographic pattern is reflected in thickly applied spots of color. With his color field series from 1971 to 1974, in which the artist he used the four primary colors faceted and in arbitrary combinations as well as his monochrome gray paintings of 1972-1975, Richter made decisive painterly components his subject. In 1976 Richter started to do abstract pictures with colored streaks, but nevertheless returned to representationalism again and again and turned the alternation between techniques of representation and stylistic incongruity into a principle.

In an interview from 1985 Gerhard Richter emphasized the private and personal character of his works on paper: "It was not until this year, or, no, last year, that I had gained the self confidence to make watercolors. Earlier I had made some and suddenly, in 1984, several. Fred Jahn published a book on that and it helped me to gain trust to make something personal, something small. I had always regarded these things as too artsy, too typical, the type of things that artists just do – making nice drawings and watercolors [..]" (Gerhard Richter, in: Dieter Schwarz, Düsseldorf 1999, p. 7). This "type", the too "artsy" and too "nice" Richter avoids by handing over artistic control to the medium: Through the process of watercoloring, the blending and diverging of the watery colors, the result is not clearly projectable and accordingly unexpected. At the same time the aesthetic appeal that the lucent and strong coloring has on the observer cannot be denied.

In 1997 his "Atlas" – a systematic collection of photographs and painted sketches - was exhibited a the documenta X in Kassel. Today Gerhard Richter is regarded as one of the internationally best known and most successful contemporary artists, whose works are appreciated by a wide audience on numerous exhibitions. [KH].




294
Gerhard Richter
Ohne Titel, 1988.
Watercolor
Stima:
€ 25,000 / $ 27,000
Risultato:
€ 100,040 / $ 108,043

( commissione inclusa)